Encaustic is like skin. Layers—from viscous and mottled to fragile and transparent—can be created much like skin’s subcutaneous and surface epidermis. Malleable and porous it can be poked, scraped, pocked, scratched, and even tattooed. Applied heat—in the form of a torch or heat gun—melts the encaustic wax and working the surface it is often in a fluid transitional state which makes it a very receptive medium. Wax also absorbs other mediums easily and allows for experimentation including painting, collaging, rubbing, embedding, fusing, transferring, etc. I research materials that have a lot of flexibility and wax/encaustic is one of them. From hard steely heavy metal to glassy ceramic to luminous and luxurious gold wax has strong potential for transformation.
ENCAUSTIC
Armor, encaustic, graphite, gouache, 16" x 16", 2022
Gold Key, encaustic, charcoal, gouache, 12" x 12", 2022
Effriter, Encaustic, gold foil, gouache, 10" x 10", 2025
Edge of Jacob's coat, Encaustic, oil pigment, 8" x 8", 2020
Lorenzetti Gold (crucifixion), Encaustic, kozo paper, gouache, 10" x 24", 2021
Flora, Encaustic, gouache, gold foil, 12" x 12", 2020
Annunciation, Encaustic, gouache, 12" x 12", 2022
Silver Welts, encaustic, gouache, pigment, 12" x 12", 2023
Eos, Encaustic, oil pigment, gouache, copper foil, 16" x 16", 2022
Irish Asphalt, encaustic, oil pigment, graphite, 7" x 9", 2020